Monday, 17 October 2022

SHOOT 2 preparation and reflection

                                       Shoot 2 preparation

Props:
    • Halloween candy
    • Bowl
    • Candles 
    • Halloween decorations 
    • Makeup 
    • Duct tape 
    • Kettle 

    Clothes:

    Scream Queen:
    • Dress (new and different colour so the dirt and blood will show)
    • Jewellery 
    • Heals 
    • Makeup (eye shadow, fake skin, fake blood, face paint)
    • Hair down


    Final Girl:
    • Glasses
    • School uniform 
    • Skirt 
    • White shirt

    • Smart shoes

    LOCATION: 

    • My (Leila's) house




    EQUIPMENT: 

    • Phone
    • Monopod
    • Tripod


    CAST:
    • Caeli Colgan as EMMA
    • Francesca Pisante as OLIVIA

    Date:
    • This shoot will be on February 1st
  • Sample scenes


    SAMPLE SCENE 1

    Our script:

    We ended up being pretty loose with the script and using it as more of a reference.


    We started off by shooting the kitchen scene which we filmed in the common room kitchen. we got some candy from the vending machine and put it on a plate we found to simulate a halloween candy bowl.  we took multiple shots from different angles so we had a lot of footage to work with. 

    After filming the kitchen scene we went out to the woods near the school to film the outdoor scene. We also took multiple shots of Ambre running from being tied up to the tree.

    we then cross cut the two scenes as a way to create tension for the viewers in final cut.

    We had a few challenges during shooting, one was that we wanted to tie Ambre up with real rope so we went around the school to ask the art and P.E. teachers but there ended up not being any around so we used tape instead.




    Feedback:
    - In the real scene switch the rope from the tape so it looks harder to get out of (verisimilitude).
    - Running needs to look more desperate, maybe speed it up?
    - Use Gimble cam for running?
    - Could replace candy with a Halloween cake

    SAMPLE SCENE 2



    for our second sample scene we filmed in the common room kitchen again for continuity even though the actual opening will not be filmed at school.

    Peer Feedback:




    Rough cuts

    CARVED (first shoot):


    Feedback:
    • Floating blue light, smudge, crop out/be careful of
    • Two titles one font, next two different font (for testing) can be screenshots
    • Animation of fonts, horror, key frames
    • Titles -> director first
    • Upper case + lower case
    • Add an ident + voice over and images for context
    • Ambient sound, cars, no dead air
    • Signify falseness in EMMA, puts on glasses for phone call
    • Delay showing EMMA, more use of mis-en-scene 
    • Even more mis-en-scene
    • Change country “Italy” is blurred
    • Pan up to Emma after knife
    • Long takes, need reaction shots (knock)
    • No paint in coming back to same shot
    • Candles = shadows
    • Panic needs to continue, continuous banging/cross-cutting
    • Longer take = less convincing
    • Lots of shots for panic sequence 
    • Lamp for entrance
    • Hinting someone is outside 
    • EMMA looks around frantically/curtains down
    • Panting after looking around (OLIVIA)
    • Don’t have a dictionary 
    • Avoid foreign book
    • Too minimal dirt on her face
    • Makeup on camera, testing (w/o cast)
    • Start kettle way earlier
    • Lighter dress for more dirt
    • Show OLIVIA after murder
    • Cut from shoe to back to shoe
    • No diegetic titles, animated maybe 
    • Maybe reveal motive in escape sequence
    • Get footage for lighting and makeup
    • Radio instead of phone call

    Soundtrack

    Our sound was made on GarageBand by one of the members in our team, the inspiration was from the soundtrack of Friday the 13th, Halloween and psycho. 

    we decided to give it a subtle melody throughout the soundtrack and then to build up tension it would get louder.

    Here is the link to our original soundtrack that we commissioned from some people in our school. It was made on garage band, we decided not to go with that soundtrack because it wasn't what we had imagined.

    Intro and outro music:
    (check out Ambres post for the original video)







    SHOOT 1 preparation and reflection...


    SHOOT 1 PREPERATION



    PROPS, EQUIPMENT, SCRIPT



    PROPS:


    • Pumpkin
    • Carving knife 
    • Halloween candy
    • Bowl
    • Candles 
    • Halloween decorations 
    • Makeup 
    • Gloves
    • Kettle
    • Rope
    • Duct tape


    CLOTHES:

    Scream queen: 

    • Dress
    • Jewellery 
    • Tights 
    • Heals 
    • Makeup (eye shadow, fake skin, fake blood, face paint)
    • Hair down
    Final Girl:
    • Glasses
    • School uniform 
    • Skirt 
    • Tie 
    • White shirt
    • Blazer 
    • Bag
    • Smart shoes


    EQUIPMENT: 


    • Phone
    • Monopod
    • Tripod
    • Motorised stabiliser (Smooth 4) 


    LOCATION: 


    • Morgans house 

    CAST:
    • Caeli Colgan as EMMA
    • Francesca Pisante as OLIVIA

    Date:
    • Our first shoot was on Monday the 19th of December


    Reflection:

  • Floating blue light, smudge, crop out/be careful of
  • Two titles one font, next two different font (for testing) can be screenshots
  • Animation of fonts, horror, key frames
  • Titles -> director first
  • Upper case + lower case
  • Add an ident + voice over and images for context
  • Ambient sound, cars, no dead air
  • Signify falseness in EMMA, puts on glasses for phone call
  • Delay showing EMMA, more use of mis-en-scene 
  • Even more mis-en-scene
  • Change country “Italy” is blurred
  • Pan up to Emma after knife
  • Long takes, need reaction shots (knock)
  • No paint in coming back to same shot
  • Candles = shadows
  • Panic needs to continue, continuous banging/cross-cutting
  • Longer take = less convincing
  • Lots of shots for panic sequence 
  • Lamp for entrance
  • Hinting someone is outside 
  • EMMA looks around frantically/curtains down
  • Panting after looking around (OLIVIA)
  • Don’t have a dictionary 
  • Avoid foreign book
  • Too minimal dirt on her face
  • Makeup on camera, testing (w/o cast)
  • Start kettle way earlier
  • Lighter dress for more dirt
  • Show OLIVIA after murder
  • Cut from shoe to back to shoe
  • No diegetic titles, animated maybe 
  • Maybe reveal motive in escape sequence
  • Get footage for lighting and makeup
  • Radio instead of phone call





  • PRE-PRODUCTION OVERVIEW incl screenplay, shotlist,...

    ORIGINAL SCREENPLAY - draft



    Our first screenplay lacked a lot of detail for example we didn't mention what type of jeans Olivia is wearing or what size the candy bowl is.

    we also had the wrong format which made things a little confusing when reading it.

    NEW SCRIPT:




    SCRIPT FEEDBACK P2:

     

    • Weird dialogue 
    • She’s frantic, hysterical
    • She says “help let me in”
    • Falls and grasps at Emma 
    • Desperateness has to be conveyed 
    • Talking over Emma, struggling to be understood 
    • Too much dialogue, more body language
    • Wouldn’t give clear words
    • Reframe how OLIVIA appears 
    • Emmas annoyed at banging while on the phone 
    • Crazy kids, not 70 year old though 
    • Aggressive way of getting to the door, then shock
    • Concerned Emma, to shock audiences
    • Emma checks from side to side before closing the door
    • Locking the door (lock in + lock out) 
    • Spider web symbols, I acc fuck with that ADD PROP
    • Blanket ADD PROP
    • Coffee/Tea for cold ADD PROP
    • SOUND SOUND SOUND
    • Coffee may sound harsher (like screams)
    • Scream overlay with coffee
    • Living room means seperation
    • Knife was in the pumpkin, no longer is during title sequence
    • Comes back in to tell EMMA that she’s going home
    • (OLIVIA picks up a weapon like object) 
    • Candle holder ADD PROP
    • Blow out candle SYMBOL
    • Why not call police, dialogue 
    • EMMA already called the police 
    • EMMA is soft
    • Play with focus
    • Realistic human interaction 
    • Denotation in screenplay

    POST- ROUGH CUT SCREENPLAY:



     






    THEORIES and KEY TERMS I've learnt

    TERMS AND THEORIES
    • BBFC - British board of film classification ( was censorship ) - statutory regulator (created though law being passed, crime to ignore)
    • MPAA - voluntary regulator
    • Dier - proposed star system ( marketing a film is based of star power)
    • Elberse - blockbuster
    • Production cycle- production, distribution, exchange
    • Vertical integration- when a company does production and distribution by themselves
    • Chompcy- propaganda model- 5 filters (media is supposed to keep us in ignorance) 
    • Badikian - wrote ‘the media monopoly’
    • WUS - Warner, Universal, Sony
    • Intelectual property- Intellectual property (IP) refers to creations of the mind, such as inventions; literary and artistic works; designs; and symbols, names and images used in commerce.
    • 3D/ Max and home cinema
    • ‘Specticle’
    • Convergence - 
    • Web 2.0
    • Theatrical release (release of a movie in cinemas)- release window ( time period where a movie is exclusively in the cinema)
    • Ddc - disruption, digitisation, convergence 
    • mise-en-scene -props, clothing, weather...
    • Denotation - stripping the details
    • Audio bridge- When audio comes before the scene
    • Serif/ Sans-serif - typer of fonts
    • Signifier- a specific thing that is pointed out
    • Co-production - 2 or more companies working together to create a film, very usual
    • Auteur - the director
    • Exposition - the background information the audience needs to know for the world of your story to make sense
    • Narrative enigma - intentionally witholding information from the audience to create mystery
    • Campbells heros journey - the journey that every protagonist will follow
    • Anchorage - when you combine multiple signifiers pointing in one specific direction
    • Preferred reading - how the text creators would like you to respond
    • Polysemy - not being clear on what you mean (opposite of anchorage)
    • Digetic sound - sound coming from within the scene
    • Non-digetic sound - sound that is added to the scene e.g. music
    • social realist - Refers to movies with a more realistic tone  and story which is meant to mirror society.
    • Cross cutting - cutting from one sene to another
    • Take - moment you start recording
    • Verisimilitude - Creating a sence of realism
    • Conglomerate - company that owns other companies 
    • Counterype - oposite of a steriotype
    • Architype - a very typical example of a certain thing
    • Ellipis - a cut in time
    • 4 quadrent strat - younger, older, male, female
    • Male gaze - objectifying women, what a straight man would want to see (Laura Mulvey)
    • Juxtaposition - two things contrasting each other
    • Bechdel test - two or more women in a scene that have names talking about something other than a man.
    • Normative - what is 'normal' e.g. a woman wearing pink or a man wearing a suit
    • Counter- hegamonic - challenging normative ideas (Gramsci)
    • Critic proof - if word of mouth is strong enough, it will overcome critic consensis
    • Gant rule - a mainstream hollywood release will typically make 10 times the amount of money in the US box office than in the UK.

    JOURNEY: EVOLUTION OF AN IDEA

    My first idea:


    Our joint first idea: 


    Overview:
    Our ideas definitely evolved and became a lot more structured when we tarted working together. we didn't end up going with this idea but it was a lot closer than my original.
    From here we got to our sample scenes which then became our rough and final cut.

    THE FILM INDUSTRY

    Disney introduces first plus-sized female heroine in animated short Reflect

    Disney debut their first plus-sized female heroine in a short film about a ballet dancer overcoming body dysmorphia and self doubt through channelling her 'inner strength, grace and power'. 

    The animation artist Hillary Bradfield who had also directed 'Encanto' and 'Frozen 2' said her wish for the short was for the viewers to feel "more positive about themselves and the way they looked".

    the film created some controversy and got mixed reviews online with some people loving it, with some saying how much they wished they had seen it when they were younger and how happy they are that things are finally changing, however some people criticising it for "promoting obesity" to their children.


    https://www.theguardian.com/film/2022/oct/28/disney-reflect-plus-sized-heroine

    Smartphone camera films get new festival

    In may of 2021 the guardian wrote an article on how smartphone film in 'no longer just a fun experiment'. Vanessa Thorpe of the Guardian wrote that although shaky phone images have fashionable for some time now smartphones are able so capture great detail and since the pandemic there has been a boom of smartphone feature making.

    the article wrote that even leading directors have been drawn to smartphone filming, such as Steven Soderbergh and Paolo Sorrentino.  Some A list actors have also been in films shot with a phone such as Kristen Stuart and Sir Ian McKellen.

    Shrine production company has also come out with 'A Very British Lockdown: Diaries from the Frontline'.

    Mappelbeck the director of 'missed call' said, “I’ve been a self-shooting director for 25 years – my camera has gone from needing a bag the size of a small suitcase to fitting in my back pocket,” and “I love how it’s transformed my approach to film-making. It works in intimate settings, exploits grey areas of informality and allows for more dynamic and innovative shooting to bring out hidden and personal stories.”

    Mappelbeck and Gee created a film festival around smartphones with the intention of showing that filmmaking is for everyone so matter their means of background. “We set up the festival around smartphone films because it enables greater access and diversity, as well as innovation,” Gee told the Observer. “Our competition categories cover all the genres, both scripted and unscripted. And there are no implications now about quality. You can have brilliant pictures and brilliant audio, and there are even new apps that give you more control, allowing for remote direction.”

    Cats Film Overview






    OUR TARGET AUDIENCE

    Target audience survey


    We had 11 responses total with 8 women, 3 men and 1 person preferring not to say. this means that the majority of our responses were from women.




    Our age range was mostly 16-18 years old which is good because that was out target age range. we also had some over 18 year olds which is good for our secondary audience. we will try to appeal to this audience by having an older character for them to relate to.



     

    Around 80% of the 11 people liked horror movies.
    The overall top type of horror movie sub genre with most people picking it as their favorite was 'psychological horror'. Only 9.1% of people chose 'sci-fi' and 'gothic' as their favorite horror and the genre of 'slasher' came in 3rd place overall with 18.2% of people picking it.




    Almost half of the people who answered chose 'body horror' as their least favorite genre.


    100% of the people who answered recognised 'Scream', 'Nightmare on Elm street' and 'The Texas Chainsaw Massacre'. 45.5% of the people had heard of 'Terrifier' and 72.7% had heard of 'The cabin in the wood'.

    For this question although a lot of people said that they liked different things, multiple people liked the different angles we shot from.


    We intend to make it more obvious who it killing who when we re film.
    Multiple people thought that the fact that there was no music did not reflect the genre


    Multiple people wrote that they thought the title and font we used for the credits reflected the genre.

    0ur target audience

    Our primary audience as shown above is mostly teenage girls from the ages of around 16-18 years old. Our secondary audience is and older audience of anyone who was a teenager in the early 80s to 90s.
    We incorporated aspects in our film opening to appeal to both, this was done through sound, mise-en-scene and cast.  

    Sound:

    - For our soundtrack we decided to mostly target the older demographic (secondary audience) by making a lot of references to older horror movies which would have been popular when they were teenagers.
    our main soundtrack was based off Scream, Psycho and Halloween which were all classic horror movies of their time.
    A way we incorporated our primary audience was by having a younger sounding band sing the cover of "Every breath you take" by The Police ,this also incorporates our secondary audience because the song was written in 1983.





    Mise-en-scene:

    - For mise-en scene we added a Scream mask in the background of the kitchen which would hopfully be picked up by our older audience.

    Casting:
     
    - Most of our cast were 15-17 year old girls so for the '3 years later scene' we had an older mane so that our older male audience could have someone to identify with (uses and gratifications theory, social identification).















    GENRE overview of key films etc



    Horror openings:

     

    Eden lake (Watkins 2008):

     

    -       Roller-coaster films (indie)

    -       18


    -      
    optimum releasing (currently studio canal)

    -       $2m – low budget

    -       Michael Fastbender is in it (fairly big actor)

    Opening:

     

    -       Titles font is scary- they expand

    -       No idents

    -       Flickering image is effective in showing it horror genre

    -       To create flickering in final cut use alpha mask

    -       Non diegetic music – horror

    -       Lots of red – horror

    -       Short freeze frames

    -       Sound each time a picture pops up (static, slashing, screaming)

    -       Main title expands

    -       Audio bridge of children

    -       Children playing is foreshadowing (everything has to have some kind of exposition)

    -       Both main characters are ‘final girls’ but they are also sexually active

    -       Main woman has stylized hair, red glossy lipstic (highly feminine, nonative in gender representation) she is a childrens teacher which shows hpw she is caring – shes wearing a pink dress (stereotypical) its quite baggy and loose (soft and feminine)

    -       Chelsie tractor – shows they are middle to upper middle class

    -       Theres a lollipop lady + zebra crossing (verisimilitude that it’s a school)

    -       Ellipsis

    -       Lots of exposition in the diegetic sound

    -       ELS

    -       Very strong gender roles (blue and pink clothes) – staple of genre

    -       Unusuall for there to be two main characters – good for marketing

    -       Blurred lines between ‘final girl’ and ‘scream queen’

    -       External and internal shot

    -       Children on bikes (jump scare/foreshadoeing) – they are blurred (mysterious/narrative enigma)

    -       Over the sholder shows is what they are seeing (makes us feel emursed)

    -       We cut back to him and he is driving (gender roles) we look to him for reassurance

    -       Binary opposition of the social classes – other woman are smoking and woman just slapped her child which shows they are working class

    -       They call the beer ‘wife beater’ -prefered reading

    -       ‘man or a mouse’ – gender stereotypes

    -       Privilege pov – the main characters cant see the graffiti on the back of the sign

    -       Gate saying ‘keep out’ and the gps saying ‘turn around’is foreshadowing

    -       They're destroying the nature around them

    -       Little kid capturing insects – foreshadows them being trapped and powerless

    -       The main characters are framed on the side which foreshadows that something is going to talke up the rest of the screan (north by northwest has interesting framings)

    -       Little kids (bad guys) break the jar

    -       Woman has no armpit hair (highly normative)

    -       He walks in an exaggerated manly way

    -       Other kids are playing rap music (working class kids)

    -       Slow opening

    -       Opposite of usually slasher movie because we are routing for the adults

     

     

    Bride of Chucky (Ronny Yu 1998):

     

    -       $25m

    -       15

    -       Distribution by universal studios

    -       Indie movie

     

    Opening:

     

    -       Ident with non diegetic music

    -       Sound is a lot like Hitchcock movies (psycho)

    -       Fast heartbeat style music could indicate a chase

    -       The title is bubble font which connotes a humor aspect

    -       Thunder and lighting (pathetic fallacy- francenstien)

    -       Blue tint like in Halloween (1978) – connotes unnatural – can be made with color correcting

    -       Lots of mise-en-scene to provide exposition

    -       Many iconic horror signifiers

    -       Dutch + low angle

    -       Not showing his face

    -       Music is a lot like (psycho and jaws)

    -       Camera inside the locker (cool effect)

    -       Ellipsis with the door slamming

    -       We look at the bag and so does he – we identify with him

    -       Figures of adult authority are seen as useless (normal in teen slasher)

    -       Lighter foreshadows

    -       ‘curiosity killed the cat’ foreshadows him being curious and then dying

    -       Jump scare

    -       Effect of his neck being slashed can be with a bag over the neck and then squeezing

    -       Male gaze – first we see her legs then she files her nails with the murder weapon



     


     

    The FINAL CUT!

    Here is my final cut: timeline: You can find a deeper breakdown of my final cut throughout the rest of my blog (especially my conventions ev...